CAROLE KING Tapestry CLASSIC RECORDS+ MFSL CARNEGIE HALL & MUSIC 180G+ MORE SET

Description: CAROLE KING COLLECTORS ALL OUT OF PRINT COLLECTION STARTS WITH THREE TREMENDOUSLY RARE AUDIOPHILE TITLES 1ST STARTS WITH - TAPESTRY - COLLECTORS TREMENDOUSLY RARE AND VALUABLE 180 Gram factory Sealed Limited Rare 1st Edition CLASSIC RECORDS LP and DECADES out of print FOREVER. THIS IS THE ORIGINAL AUDIOPHILE RECORDING OF THIS TITLE AND IS PRICELESS WITHIN THE COLLECTORS MARKET. THIS IS OUR LAST COPY FOREVER OF THE ORIGINAL CLASSIC RECORDS MASTERPIECE THAT STARTS THIS SET. THESE CLASSIC RECORDS PRESSING NEVER CAME WITH BARCODES TO RUIN THE PRISTINE JACKETS FOR COLLECTORS AND WERE MAINLY ONLY SOLD TO AUDIOPHILE VINYL RETAILERS AND DISTRIBUTORSE-BAY STORE. FOR YOUR INDIVIDUAL 1st edition SELECTIONs - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >. & TYPE IN 1STEDITION OR FOR OTHER TITLES MYMUSICFIX ONLY HAS ONE COPY REMAINING FOREVER USE THE CODE 1&DONE OR CAROLE KING INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE AND ALL INDIVIDUAL TITLES + INFORMATION WILL APPEAR Classic Records has proven to be an Audiophile Company second to none in the new millennium. But Classic Records, unlike other top Audiophile Companies, does not place Limited Edition numbers on their LP jackets. WELL OVER A DECADE ago, Classic Records changed their vinyl weight from 180 gram to 200 gram. What this change did for Collectors of the finest vinyl pressings was establish a First Edition element to Classic Records Audiophile pressings. All Classic Records 180 Gram pressings are Out of Print 1ST AUDIOPHILE EDITIONS and Very Limited Edition Collector's First Edition Pressings AND CONSIDERED BY MOST COLLECTORS THE FINEST PRESSING EVER DONE BY CLASSIC RECORDS. In the long term, First Editions will be what Collectors seek. When you look at Classic Records First Edition 180 Gram pressings.It could be one of the most collectible pressings ever in this 180 Gram First Edition. COLLECTORS INFO ABOUT Classic Records TITLES Classic Records has proven to be an Audiophile Company second to none in the new millennium. But ALL CLASSIC RECORDS TITLES ARE NOW OUT OF PRINT SINCE THE COMPANY WENT OUT OF BUSINESS IN 2010. These Editions have become some of the rarest pressings in the Audiophile Collector's Market. Just try to find them at any Audiophile Retailer after the next few months. They are simply gone from the market and Mymusicfix has seen some these First Editions sell for over $800. When you take that into consideration, what will this Audiophile Pressing will be worth in the years ahead? It could be one of the most collectible pressings ever especially since Classic records is no longer in business. How rare and valuable are each one of these titles now still Factory Sealed Priceless! Mymusicfix has a very limited amount of these now Rare Factory Sealed pressings. We're sure you may not have known about some of these titles existed. Have fun collecting these Masterpieces! These are tremendous titles and artists that Mymusicfix still has in these LIMITED Edition STICKERS but we have very few pieces left of each title and prices will continue to rise as inventory continues to dwindle THIS IS OUR ONE & ONLY SET AND ONCE SOLD GONE FOREVER. This 180 gram pressing is the only way to verify that a 1st edition Collectors find Classic records masterpiece on a high-definition Virgin Vinyl pressing for superior fidelity in this limited edition. The nicest thing you can do for your stylus and your ears. The ultimate record -- the way music was meant to be heard and of superior quality for any Audiophile. You will be one of the last people in the world to own this 1st Edition Masterpiece. You should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever. Rolling Stone Magazine described this Album on its original release stating "it confirmed that Carole King is one of the most creative figures in all of pop music." Q Magazine gave this Album Five Stars out of Five stating "if the term singer/songwriter gained currency anywhere, it wouldn't be far from here. Perhaps it is time to put aside the baggage that TAPESTRY brings with it and celebrate instead a classic rock record." Joining Carole King on this Album are James Taylor, as well as Joni Mitchell and an All-Star lineup of musicians. Originally recorded on Ode including Liner Notes by James Taylor. During the sixties, Carole King was renowned for composing a succession of classic pop songs. A low-keyed recording career blossomed with the release of TAPESTRY which successfully married her skill with the contemporary songwriter movement. TAPESTRY is comprised of self-penned material and collaborations with her ex-husband and lyricist, Tony Stern. King's unfuzzy vocal style enhances the simply stated yet astute material and in "It's Too Late" the singer expresses the breakdown of a relationship with precipient incisiveness. Such a skill endures the Album's lasting popularity. Selections: 1. I Feel The Earth Move 2. So Far Away 3. It's Too Late 4. Home Again 5. Beautiful 6. Way Over Yonder 7. Out In The Cold 8. You've Got A Friend 9. Where You Lead 10. Will You Love Me Tomorrow 11. Smackwater Jack 12. Tapestry ABSOLUTELY ONE OF THE BEST ALBUMS OF ALL-TIME. 2ND THERE IS THIS COLLECTORS MASTERPIECE Carole King The Carnegie Hall Concert June 18, 1971 Numbered MFSL Limited Edition 180g 2LP now out of print and also tremendously rare AUDIOPHILE MASTERPIECE PRISTINE SEALED MFSL NUMBERED 738 VERIFIED 1ST RELEASE FROM 2011 ORIGINAL RELEASE AND APART OF THE 1ST STAMPERS OF THIS 2011 MFSL COLLECTORS AUDIOPHILE OUT OF PRINT 180 GRAM 1/2 SPEED MASTERED VINYL LP. IF YOU ARE A COLLECTOR AND WANT TO OWN 1ST RELEASES FROM MFSL THEN THIS NUMBER 738 VERIFIES THIS THE ORIGINAL 2011 RELEASE NOT THE RE-ISSUE IN MUCH HIGHER NUMBERS. Numbered, Limited Edition! Half-Speed Mastered from the Original Tapes: Intimate Sonics Make It Seem Like King is Sitting Five Feet Away! Carole King The Carnegie Hall Concert: June 18, 1971 on Numbered Limited Edition 180g 2LP from Mobile Fidelity. From-the-Vault Live Release Captures Iconic Singer-Songwriter at Height of Her Breakout Period. Stripped-Down Songs Teem With Warmth, Nuance, Emotion; James Taylor Also Appears. Every so often, a from-the-vault release captures our hearts, minds, and attention in such a way that it’s impossible not to tell all family, friends, and neighbors about its existence. Originally issued to commemorate the 25th anniversary of Tapestry, Carole King’s The Carnegie Hall Concert: June 18, 1971 is such a record, a fortunate document of an absolutely magical period in the singer-songwriter’s legendary career and a revealing look at the then-stagefright artist turning in a commanding performance just as she was becoming a superstar. Half-speed mastered from the original tapes, Mobile Fidelity’s numbered limited-edition 180g LP of this compelling concert album brims with liveliness, depth, dimension, detail, and transparency. The nuances of King’s spare performances and warm vocals emanate as if she’s sitting five feet away. Stripped down even further than they are on the studio albums, songs breathe with palpable earnestness and emotion, the subtle differences from their more polished studio brethren allowing listeners an insight into King’s creative genius. At the time of its recording, King still suffered from shyness—and who could blame her? She had been accustomed to penning lyrics for other artists and sitting behind a desk in the Brill Building. Only recently did King strike out on her own and enter the public realm. This set encapsulates this contrast in thrilling fashion. Disarmingly genuine and daringly honest, The Carnegie Hall Concert: June 18, 1971 benefits from the inclusion of King’s nervous between-song banter that exposes who she is as a person and performer. Most importantly, despite her anxiety, she turns out stirring renditions of tunes from 1970’s Writer, Tapestry, and even a few from the yet-unreleased Music (also available from Mobile Fidelity MFSL 1-352). Her control is demonstrated on the record’s six opening cuts, which feature King alone at her piano. For the remainder of the program, she’s accompanied by guitarist Danny Kortchman, bassist Charles Larkey, and a string quartet, which enter and exit according to arrangement. As such, the concert is profoundly intimate and personal, an “unplugged” session that predated the use of the term by nearly two decades. Longtime collaborator James Taylor joins her for a memorable medley of some of her biggest hits—“Will You Love Me Tomorrow/Some Kind of Wonderful/Up on the Roof”—the chemistry evident of why the duo’s 2010 tour was one of the most in-demand outings in years. Mobile Fidelity’s remastered sound ties everything together and is what makes this release extra special. By going to the original source, the audiophile label considerably opens up the sonic perspectives, revealing the spacious acoustics of the famed venue that act in concert with King’s music. In particular, the songs from Writer benefit from the no-nonsense production. You can literally picture King’s piano beside her, and her voice—sincere, tender, melodic—is rich, full-bodied, and penetrating. Listeners can even hear it crack on occasion, the results a consequence of her nerves. Unpolished and non-synthetic, the performance is better for it. No, they don’t make albums like this anymore. The Carnegie Hall Concert: June 18, 1971 as real as it gets. And so is the sound. Get your collectible copy now! Features: • Numbered, Limited Edition • Half-Speed Production and Mastering by Mobile Fidelity Sound Lab • Specially Plated and Pressed on 180 grams of High Definition Vinyl • Special Static Free - Dust Free Inner Sleeve • Heavy Duty Protective Packaging • Mastered from the Original Master Tapes Selections: Side One: 1. I Feel The Earth Move 2. Home Again 3. After All This Time 4. Child Of Mine 5. Carry Your Load Side Two: 1. No Easy Way Down 2. Song Of Long Ago 3. Snow Queen 4. Smackwater Jack Side Three: 1. So Far Away 2. It's Too Late 3. Eventually 4. Way Over Yonder 5. Beautiful Side Four: 1. You've Got A Friend - Performed with James Taylor 2. Medley: Will You Still Love Me Tomorrow? - performed with James Taylor Some Kind Of Wonderful - performed with James Taylor Up On The Roof - performed with James Taylor 3. (You Make Me Feel Like) A Natural Woman PLUS THE RARE Carole King Music Numbered MFSL Limited Edition 180 GRAM MFSL LP PRISTINE SEALED MFSL NUMBERED 1637 VERIFIED 1ST RELEASE FROM 2012 ORIGINAL RELEASE AND APART OF THE 1ST STAMPERS OF THIS 2012 MFSL COLLECTORS AUDIOPHILE OUT OF PRINT 180 GRAM 1/2 SPEED MASTERED VINYL LP. IF YOU ARE A COLLECTOR AND WANT TO OWN 1ST RELEASES FROM MFSL THEN THIS NUMBER 1637 VERIFIES THIS THE ORIGINAL 2012 RELEASE NOT THE RE-ISSUE IN MUCH HIGHER NUMBERS.Featured in Michael Fremer's Heavy Rotation in the May 2012 Issue of Stereophile! Numbered, Limited Edition! Half-Speed Mastered from the Original Tapes: Transparent, Soulful, Pure Sonics Make Music Seem Like a New Album! Carole King Music on Numbered Limited Edition 180g LP. King's 1971 Studio Album a Model of Impeccable Songwriting, Fluent Melodies, Unfettered Expression. Blend of Originals Spans R&B, Pop, Folk. Released on the heels of her breakthrough, Tapestry, Carole King’s Music is every bit the equal of its more famous predecessor, a Number One smash that features impeccable songwriting, infallible melodies, and extraordinary piano playing. In short, everything that’s made King an institution. After of years of being overshadowed, this 1971 singer-songwriter classic has finally been given the audiophile treatment it’s long deserved. Half-speed mastered from the original master tapes, Mobile Fidelity’s numbered limited-edition 180g LP of King’s second solo masterpiece is rife with intimacy, transparency, soulfulness, and you-are-there sound. Never before remastered, Music seems like a brand-new album, King’s familiar voice, intelligent arrangements, and ravishing support band presented on a deep, three-dimensional soundstage. Your appreciation for and understanding of King’s inspirational lyrics and ravishing performances will increase tenfold. Mobile Fidelity’s 180g LP brings you that much closer. Accompanied by percussionist Bobbye Hall, drummer Russ Kinkel, guitarist/vocalist James Taylor, and a cavalcade of professional wind musicians, King delves further into R&B and jazz-derived pop, coming up aces every time. Warm, intelligent, and cohesive, songs echo with simplicity and honesty. And as is typical of much of King’s work, several of tunes here were later covered by other artists, including “It’s Going To Take Some Time” (the Carpenters). Yet the originals trump the later renditions, and the rendition of the standard “Some Kind of Wonderful” stands as the best ever recorded. With Taylor lending more of a hand on Music than he does on Tapestry, King expands her confident reach on the piano and peppers the songs with graceful touches of saxophone, flute, pedal-steel guitar, and woodwinds. Ballads sway (“Surely”), gospel brightness lifts spirits (“Brighter”), and backup vocals float heavenly pop (“Song of Long Ago”). Yet the best aspect is King’s voice, infused with fondness, concern, joy, and a quiet power that parallels the delicacy and deliberate nature that define Music. Mobile Fidelity’s audiophile edition is free of the limiting artifacts that have helped keep this record in the dark for the better part of the past few decades. Previously diminished, acoustic guitars, subtle brass elements, and soft percussion contribute to the enjoyment of the songs, and King’s voice—pleasant, assuring, emotional—comes through with incredible clarity and inflection. The brilliance of the legendary Lou Adler’s original production is restored to its full glory. If it’s at all possible—and it is—this treasure now sounds even more heartwarming than it did upon original release. The companion to Tapestry, Music is an aural—and sonic—delight. Features: • Numbered, Limited Edition • Half-Speed Production and Mastering by Mobile Fidelity Sound Lab • Specially Plated and Pressed on 180 grams of High Definition Vinyl • Special Static Free - Dust Free Inner Sleeve • Heavy Duty Protective Packaging • Mastered from the Original Master Tapes Selections: 1. Brother, Brother 2. It's Going to Take Some Time 3. Sweet Seasons 4. Some Kind of Wonderful 5. Surely 6. Carry Your Load 7. Music 8. Song of Long Ago 9. Brighter 10. Growing Away from Me 11. Too Much Rain 12. Back to California PLUS THE DECADES OUT OF PRINT Carole King Her Greatest Hits: Songs Of Long Ago 160 GRAM UK SIMPLY VINYL PRESSED LP Her Greatest Hits" collection is a succinct summation of Carole King's eight prolific years at Ode Records. Although the piano-playing singer/songwriter recorded a breadth of material during this period, 1971's Tapestry, of course, stands out from the rest and cut from cut this compilation is as strong as that seminal release. Features: • 160g Limited Edition Classic Vinyl • High-Definition Premium Virgin Vinyl Pressing for Super Fidelity FROM SIMPLY VINYL UK Selections: 1. Jazzman 2. So Far Away 3. Sweet Seasons 4. Brother, Brother 5. Only Love Is Real 6. I Feel The Earth Move 7. It's Too Late 8. Nightingale 9. Been To Canaan 10. Smackwater Jack 11. Corazón 12. Believe In Humanity PLUS THE OUT OF PRINT Carole King The Legendary Demos LP Rare Carole King Recordings Released For The Very First Time! Excellent Sound Quality! Must Be Heard To Be Believed! This astounding collection of 13 original recordings by Carole King featuring many of her most famous songs is finally being released for the very first time! The Legendary Demos proves once and for all precisely why she is the most successful and revered female singer/songwriter in music history. The album includes the original demo versions of such future standards as "(You Make Me Feel Like) A Natural Woman", "It's Too Late", "You've Got A Friend" and more. It also features early takes of six tracks that formed the basis for King's world-wide solo breakthrough album Tapestry; one of the best-selling and most beloved albums of all time. This collection forms the lost missing link in the chain of King's career. Features: • Vinyl LP • Liner notes by acclaimed author and Rolling Stone contributing editor, David Browne Selections: Side One: 1. Pleasant Valley Sunday (circa 1966) 2. So Goes Love (circa 1966) 3. Take Good Care Of My Baby (circa 1961) 4. (You Make Me Feel Like) A Natural Woman (circa 1967) 5. Like Little Children (circa 1966) 6. Beautiful (circa 1970) 7. Crying In the Rain (circa 1962) Side Two: 1. Way Over Yonder (circa 1970) 2. Yours Until Tomorrow (circa 1966) 3. It's Too Late (circa 1970) 4. Tapestry (circa 1970) 5. Just Once In My Life (circa 1965) 6. You've Got A Friend (circa 1970) LASTLY FOR THE CAROLE KING FAN HER GROUP "THE CITY" TITLE NOW THAT EVERYTHING BEEN SAID ALSO OUT OF PRINTFirst official vinyl reissue!24-bit/96kHZ remaster from the original tapesNew notes by Steve Hochman featuring interviews with band members and producer Lou AdlerWe all know the Carole King who wrote some of the biggest hits of the ‘60s, from "Will You Love Me Tomorrow" to "Pleasant Valley Sunday," via "The Locomotion" and "(You Make Me Feel Like) A Natural Woman." We also know the singer-songwriter behind Tapestry, the album that launched King as a solo singer in her own right. But in between-and not nearly as well known-is King's band, The City, and their album, Now That Everything's Been Said.By the mid-‘60s, King's marriage to Gerry Goffin, with whom she'd written many of those wonderful hits, had hit the rocks. A divorce loomed, and King all but retired to raise their two daughters. She headed west to Laurel Canyon in ‘67, taking the children with her, and made the previously unlikely move of joining a progressive folk-rock band. King formed The City with future husband Charles Larkey on bass and Danny Kortchmar on guitar and vocals. With King on piano and vocals, they created a folk rock sound that pre-empted the singer-songwriter boom of the ‘70s.Produced by Lou Adler and featuring Jimmy Gordon on drums, The City's sound is deep and soulful, imperfect but passionate. And the songs, with King writing or co-writing all but one, are as exceptional as you'd expect and as widely covered as her factory work. "Now That Everything's Been Said" was a hit for American Spring, "A Man Without A Dream" was tackled by The Monkees, and "Hi-De-Ho (That Old Sweet Roll)" was a hit for Blood, Sweat & Tears. Central to the album's appeal is King's own stirring reading of her track "Wasn't Born To Follow," covered masterfully by The Byrds for the Easy Rider soundtrack.King had been used to a life on the sidelines, and her stage fright left the trio unable to tour the LP which adversely affected their fortunes. That, plus some behind-the-scenes distribution problems, meant the album was quickly deleted, and it remained so for the next 30 years — partly at King's request. Even so, its failure was a surprise to those concerned. "I was 26 when Now That Everything's Been Said was released in 1968," King says of the album. "[We] expected it to zoom to the top of the charts within, at most, a few weeks. Individually and together, we optimistically imagined the album's success as if it had already happened. Danny and Charlie kept telling each other, 'It's a great album. The City is gonna be No. 1 with a bullet!'"Reissued here on deluxe vinyl for the first time, this is, at long last, a chance for this remarkable lost album to be heard.Side 11. Snow Queen2. I Wasn’t Born To Follow3. Now That Everything’s Been Said4. Paradise Alley5. Man Without A Dream6. Victim Of CircumstanceSide 27. Why Are You Leaving8. Lady9. My Sweet Home10. I Don’t Believe It11. That Old Sweet Roll (Hi-De-Ho)12. All The Time A SONIC WORK OF ART. This Limited Edition gem is the FINEST/RAREST of the Audiophile LP market International Buyers – Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying. Note: It's illegal to falsify customs declarations or mark an item as a "GIFT" or mark item at a LESSER VALUE in order to avoid customs feesINTERNATIONAL BUYERS NEED TO BE AWARE OF THE CUSTOM'S TAXES IN THEIR OWN COUNTRY AND KNOW THEY (AS THE BUYER) ARE RESPONSIBLE FOR CUSTOMS TAXES. FACTORY SEALED OUT OF PRINT PRODUCT is IRREPLACEABLE and therefore NOT RETURNABLE.USA SHIPPING: We box/package protectively – Ship UPS Ground/Insured within Continental USA – Hawaii/Alaska by mail. We accept PayPal ONLY WITH CONFIRMED SHIPPING ADDRESS INT’L SHIPPING: Because of Postal Regulations in following countries -- U.K. (England, Ireland, Wales and Scotland), SOUTH AMERICAN COUNTRIES, QATAR, PHILIPPINES, SRI LANKA, ISRAEL, RUSSIA, MEXICO and MALTA – AT CHECKOUT, MUST CHOOSE EXPRESS SHIPPING ONLY We box/package protectively for safe world-wide shipping. When accepting PayPal, ship ONLY BY PRIORITY MAIL/FULLY INSURED OR EXPRESS MAIL FULLY INSURED – International Buyers are responsible for their country’s Customs Fees. Check out Mymusicfix for additional Audiophile Vinyl by hitting “ME” OR the Mymusicfix “STORE” tab on the Title Purchase Page to view our current items up on E-Bay. Mymusicfix has been told we have the best collection of Rare, Out of Print music collectibles on E-Bay. cllp 1stedition 180G 1&DONE2 LPVALUE LPVALUE2 180G .

Price: 479.99 USD

Location: Lake Forest, California

End Time: 2025-02-03T18:53:55.000Z

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